Kate Baldwin and Brian Stokes Mitchell play the married couple in this Encores! revival, making it well worth hearing, if not ...

Step behind the scenes of Love Life at New York City Center, as Kim Kowalke, President & CEO of the Kurt Weill Foundation, dives into the story behind the iconic 'Love Song' and get an exclusive ...

Two days after its loss to Florida in an SEC tournament semifinal, Alabama has received positive news regarding the status of forward Grant Nelson. "We dodged one," Crimson Tide coach Nate Oats ...

Brenda Song revealed her fiancé, 44, still doesn’t know how to drive a car and didn’t know how to do laundry when they first met. “I always say Mac is a very unique human being the most ...

Alabama basketball’s first opponent of the 2025 SEC tournament is set. The Crimson Tide will face Kentucky Friday in Nashville. The Wildcats beat Oklahoma 85-84 Thursday night at Bridgestone ...

only a few songs would take charge in defining their legacy. Nothing does that in their own back catalogue and, in many ways, in the era of rock at large, like the aforementioned lead single on ...

When Kurt Cobain formed Nirvana with Krist Novoselic in 1987, their sound and ethos was very much in keeping with the rest of the grunge scene. A popular perception of the songwriter is that he ...

Myles visited the 953 Bear Morning Show to debut his new song CITY GIRL BACK for listeners. This is gonna be a big hit for Myles Morgan, mark our words. He's working with some of the same music ...

If you're a certain age, and you hear this music... (SOUNDBITE OF SONG, "STAYIN' ALIVE") BEE GEES: (Singing) Whether you're a brother or whether you're a mother, you're stayin' alive, stayin' alive.

Alabama's 93-91 overtime win over Auburn did not knock the Tigers out of their position as the overall No. 1 seed in the Bracketology updated NCAA Tournament bracket projection, but it did keep ...

There’s a pretty interesting story behind this alt-rock song as well. Considering Kurt Cobain’s distaste for mainstream fame, the meaning behind “In Bloom” isn’t exactly surprising, either.

When the score does not nod toward the Hollywood of the 1930s, it winks at the Berlin of the 1920s musicalized by Kurt Weill and Bertolt Brecht, or glances at the Paris of the 1830s as ...