In early 2015, near the end of my MFA in Fine Arts at Parsons, I set out on a project to create a celebrity by 2020—entirely via the internet—as an art practice. The celebrity I began to create was a ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

Today, we are proud to unveil the new rhizome.org. Designed by Laura Coombs and Mindy Seu, and developed by Mark Beasley, our new home on the web serves as an interface to Rhizome’s many activities, ...

Cover image: Screenshot of BookStory’s opening title screen, featuring the interior of the Kurome Shobo bookstore. Usually, a Google Sheet is the site of bureaucratic misery and numbing digits; the ...

Nick Pinkerton reviews 1995: The Year the Internet Broke, a screening series programmed by Screen Slate at Anthology Film Archives in March 2020. Cut short by COVID-19, the program lives on in the ...

Maja Cule, Hanging from the 8th floor of the South side of The Trump Building at 40 Wall Street, (2013) (featuring: Marlous Borm). From “Performance GIFs,” 2013, curated by Jesse Darling. Screenshot, ...

The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Simone Krug: So much of your work is ...

Elvia Wilk reports from a conference organized by the Research Center for Proxy Politics (RCPP). The RCPP’s 2015-2016 program was previously covered here. Tom McCarthy’s 2015 novel Satin Island opens ...

This interview is part of a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies. Angela Washko: In the ...

This essay accompanies the presentation of Heath Bunting’s Communication Creates Conflict as a part of the online exhibition Net Art Anthology. In the 1990s, as activists, artists, and their ilk ...

This essay was first published in November 2000 in Du Magazine, and appears here in English for the first time. The essay has been translated into English from the original Russian by Alya Ponomareva.

This essay accompanies the presentation of Electronic Disturbance Theater's FloodNet as a part of the online exhibition Net Art Anthology. What is the relationship between data bodies and real bodies?