Martyrdom finds perhaps its most powerful cinematic expression in Carl Theodor Dreyer’s “The Passion of Joan of Arc” (1928), ...

Jon Rafman’s liberal use of artificial intelligence is on full, dark display in an exhibition that features a kind of MTV warped by internet subcultures.

Thanks to the artists showcased in “All I Want Is Boundless Love,” we’re revived from our winter slumber into a surreal spring, where mystical dreamlands, uncanny panoramas, and abstract ...