Bear Blaster 5000, with its crackling, 286,000-volt arcs, can terrify a curious bear long enough for someone to escape.
Laboratory owner Stephen Lusty shares the advantages of a digital workflow and the equipment and materials he uses.
Creative director J.M. Blay unlocks the secrets of crafting a symbolic TV-style intro sequence based on the fantasy universe ...
I used Maya for the retopology, UVs and hair cards, ZBrush for the high-poly, Substance 3D Painter for the texturing, and ...
Red Giant expands support for new tools in DaVinci Resolve and Maxon Studio introduces customizable motion graphics capsules ...
If you think the rumored glassy redesign of iOS 19 could be a game-changer, check out Apple's latest granted U.S. patent ...