Brooke Jessop’s new play Unwelcome is a textured, immersive work drawing the relationships of a young gay man in 1980s London, against the backdrop of Section 28. Æ uses our own and third party ...

The Long Goodbye Bye Bye, from Pasuz Productions at Laughing Horse @ Freddy’s for the Fringe’s last week, will never win any ...

A Pound of Flesh focuses on the relationship between Antonio and Bassanio, which can easily be read as queer in the original text. Some interpretations choose to ignore this entirely, some imply it, ...

Mother, Maiden and Crone is Ewan Burns’ writing debut and premieres at theSpace @ Niddry St, led by a strong team of ...

The Truth About Trees would suit young people who find the larger venues noisy and overwhelming. It’s a hug for the soul and ...

Arkle’s presentation of A Midsummer Night’s Dream at the Royal Scots Club for the Fringe’s second week is an extremely ...

Lucia August returns to the Fringe with Tales From Your Queer Elder, a three-act reflection on her journey through life, ...

This year’s double bill from Necessary Cat, playing Hill Street for the last fortnight of the Fringe, brings together comedy ...

Someone Has Got to Be John is a fascinating, fresh perspective on ‘a system that’s remained unchanged and failing since The ...

Tim Kenneth Kicks The Bucket is an impeccably written, directed and performed production from Kestrel Eye Productions, ...

The Unlikely Friendship of Feather Boy & Tentacle Girl from Catherine Wheels, is an atmospheric aerial dance piece, ...

Murder at the Fringe 1 presented by Edinburgh Little Theatre and featured at Braw’s George Street venue in the Grand Lodge, ...