At three intervals throughout Vijay Masharani’s eighteen-minute video Good Attack (2021), the camera fixates on a sign ...

Mimi Howard. Mimi Howard is a writer and critic based in New York whose work explores contemporary art and the legacies of critical theory, with a particular emphasis on moving-im ...

When I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate ...

Najrin Islam. Najrin Islam is a writer, curator, and film programmer currently based in London. Her writings have featured in ...

Throughout the film, Holman complicates the mechanisms of the close-up as a technique for accentuating intimacy—a window into ...

While I had followed their work for some time, I did not meet Catalina Ouyang until last fall, at a symposium at Stanford University called IMU UR2: Art, Aesthetics, and Asian America. We were ...

Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though ...

From October to November 2022, John Goodwin installed goodtime, a group exhibition in which I participated at the Plumb—a plucky noncommercial gallery “ administered by an ad hoc collective of artists ...

On August 29, 2023, the Globe and Mail published an article headlined “Toronto’s cash-strapped Artscape to enter receivership, end management of 14 artist facilities.” ...

There are three Nigerian artists you must know who are preoccupied with things left behind. There’s Kelani Abass, based in an enclave between Lagos and ...

Amy Sillman is a highly regarded painter, writer, and curator based in New York. One might regard her as a consummate insider. The artist ...

Hesse—and her legacy—is also the reason the editor David Richardson and I first met. For years Richardson and our friend Sal Randolph operated the publishing project dispersed holdings out of Hesse’s ...